
An early happy National Screenwriters Day! Like last year, I'm examining the Critics Choice and Golden Globes screenplay nominees for the first Sunday entertainment feature of 2026. Since the Critics Choice Awards are tonight, I'm beginning with their nominees.
BEST ORIGINAL SCREENPLAYGold Derby's prognosticators think this category is one of Sinners' best chances to win a Critics Choice Award, along with Best Young Actor or Actress, Best Cinematography, and Best Score, all categories where it's first on the leaderboard. Ryan Coogler is the choice of every expert, 88.9% of editors, and 89.8% of users. The editors and users disagree on the rest, as 11.1% of editors picked Sorry, Baby, a shift from Marty Supreme on Friday, for but only 0.6% of users, ranking it fifth by Gold Derby's algorithm. The users rank Sentimental Value, Weapons, and Marty Supreme higher with 6.1%, 2.0%, and 1.0% selecting them, respectively. Just 0.4% are behind Jay Kelly. I wonder what the editors know about Sorry, Baby.
Noah Baumbach, Emily Mortimer – Jay Kelly (Netflix)
Ronald Bronstein, Josh Safdie – Marty Supreme (A24)
Ryan Coogler – Sinners (Warner Bros.)
Zach Cregger – Weapons (Warner Bros.)
Eva Victor – Sorry, Baby (A24)
Eskil Vogt, Joachim Trier – Sentimental Value (Neon)
Next, a category I covered in Science fiction movie nominees at the Critics Choice Awards for Science Fiction Day.

That was on Friday. Today, One Battle After Another still leads as the choice of every editor, 81.3% of experts, and 90.9% of users. The experts and users are moving in opposite directions. The remaining experts are now split between Hamnet and Train Dreams with 12.5% and 6.3% expert expectations of winning, respectively. Hamnet is now the pick of 6.5% of users, followed by No Other Choice, Frankenstein, Bugonia, and Train Dreams follow with 1.0%, 0.9%, 0.4%, and 0.3% of users supporting each, respectively. What have the experts learned about Train Dreams since Friday?BEST ADAPTED SCREENPLAYOne Battle After Another leads the Gold Derby odds as the choice of every editor, 84.6% of experts, and 89.8% of users. The remaining 15.4% of experts and 6.2% of users picked Hamnet. No Other Choice, Frankenstein, Bugonia, and Train Dreams follow with 1.9%, 1.3%, 0.6%, and 0.1% of users supporting each, respectively.
Paul Thomas Anderson – One Battle After Another (Warner Bros.)
Clint Bentley, Greg Kwedar – Train Dreams (Netflix)
Park Chan-wook, Lee Kyoung-mi, Don Mckellar, Jahye Lee – No Other Choice (Neon)
Guillermo del Toro – Frankenstein (Netflix)
Will Tracy – Bugonia (Focus Features)
Chloé Zhao, Maggie O’Farrell – Hamnet (Focus Features)
The Golden Globes do not distinguish between adapted and original screenplays and they also nominated a screenplay that the Critics Choice Awards did not recognize. As I usually write in awards show posts, electorates matter. So do selection committees.
Here, the leading nominees for adapted and original screenplays are contending with each other and One Battle After Another is Gold Derby's choice to win over Sinners with the former in first as the choice of 72.7% of experts, 50.0% of editors, and 66.1% of users and the latter in third as the selection of 9.1% of experts, 16.7% of editors, and 9.5% of users. Second place? It Was Just an Accident, picked by 18.2% of experts, 33.3% of editors, and 17.8% of users. It's also the leading nominee for Best Non-English Film over Sentimental Value, which has user support of 3.4% for Best Film Screenplay. Hamnet and Marty Supreme trail as the choices of 2.1% and 1.0% of users.
I expect I will return to both the Critics Choice Awards and Golden Globes to report on the winners of the former and the TV and movie nominees for the latter. In the meantime, I'm closing with National Day Calendar's National Screenwriters Day | January 5.
You’ve probably heard of Steven Spielberg, the great director, who is known for Saving Private Ryan, Raiders of The Lost Arc, and E.T. the Extra-Terrestrial.Previous posts about the 2025 Critics Choice Awards
But do you know that Spielberg didn’t write any of those movies? They were all written by the screenwriter (Robert Rodat, Lawerence Kasdan, and Melissa Mathison respectively).
Inside the industry, these screenwriters are well known for their ability. They crack the story, create great roles for actors, and write memorable dialogue. But there are also writers in living rooms all around the world, tapping away at their keyboards, writing what could be the next breakout movie.
- 'Severance,' 'The Diplomat,' and 'The Pitt' tie with four nominations at the Critics Choice Awards
- 'Nobody Wants This' leads comedy nominees at the Critics Choice Awards, but could lose to 'The Studio'
- 'Adolescence' leads TV nominees at the Critics Choice Awards
- Science fiction movie nominees at the Critics Choice Awards for Science Fiction Day




