A blog about societal, cultural, and civilizational collapse, and how to stave it off or survive it. Named after the legendary character "Crazy Eddie" in Larry Niven and Jerry Pournelle's "The Mote in God's Eye." Expect news and views about culture, politics, economics, technology, and science fiction.
John Oliver discusses how the Trump family’s cryptocurrency ventures have overshadowed their other businesses, how they’ve created massive conflicts of interest for the Trump administration, and what it all has to do with Fartcoin.
Five years ago, Donald "Pervert Hoover" Trump was skeptical, if not downright hostile to cryptocurrency. Three years ago, he was all in. In between, a lot of cryptocurrency money poured into campaigns. I'm sure that helped change a lot of politicians' minds, including Pervert Hoover, but I'm with John; it was mostly what crypto could do for his personal and family fortunes that did the trick. That turned out to be correct. File that under "even a stuck clock is right twice a day."
This reminds me of McMillion$, an examination of an elaborate scam and the scammers behind it. It also shows the fine line between business and the economy on one side and crime and justice on the other. I'm not surprised the two intersected at cryptocurrency.
Or that they intersected the Trump family business, either.
I shouldn't be surprised. As I first remarked in MSNBC examines Project 2025, part 1, "Jailbirds of a feather flock together," especially jailbirds useful to Pervert Hoover.
The 2026 El Niño could be the strongest we’ve ever seen. And to understand its potential impacts, we’ll take a trip back in time to 1877. That El Niño triggered one of the most devastating natural disasters in human history. What could this one do?
Yikes! This is the first I've learned about the famines of 1877 and 1878, so it shocks me that they were so deadly. That the British Empire made things worse was the least surprising part of the story; Infidel753 and I had the following exchange in the comments to SciShow warns 'The Potato Famine Could Happen Again'.
Infidel753: Obviously any threat to the world's third-largest food crop is a serious concern, but this video hugely understates how much the Irish potato famine was exacerbated by politics. "Unhelpful policies adopted by their neighbors in the UK" doesn't begin to cover it. At that time Ireland was completely under British rule (part of the British Empire), a colonial possession under the heel of a government the Irish had no say in. The conservative British government at the time refused to provide any help at all to the starving Irish, partly motivated by racism (Celtic people were thought of as a different race at the time) and partly by a pull-yourselves-up-by-your-bootstraps Ayn-Rand-like mentality which was common in the ruling class at the time (this was later applied during a famine in British-ruled India, with equally disastrous results).
If the colonial government had merely provided the normal level of food aid typical of what governments do in such situations, most of the deaths would have been prevented. If such potato crop failures were to occur today, presumably modern governments would do their job and provide help to the affected people.
Me: Thanks for adding the needed context to the video. Yes, the British/English made things much worse by continuing to use Ireland as a resource colony throughout the famine, including making the Irish pay their rent in wheat and Ireland being a net exporter of food. They also exported those policies to the rest of the British Empire, as you pointed out. What they did in India, they did it in Ireland first.
[P]rocesses that happened in the past are likely to repeat in the future, so understanding the past is essential for preparation. This is a key takeaway from uniformitarianism, the concept that everything we see in nature is the result of everyday processes occurring over sufficient time, which is boiled down to "the present is the key to the past." It also means that the past is the key to the future.
File all the above under "it's a always a good day when I learn something new."
On June 11, the National Oceanic and Atmospheric Administration issued an El Niño advisory after temperatures in the equatorial Pacific Ocean remained higher than average for several months. Declaring an El Niño isn’t out of the ordinary, as they happen in cycles every two to seven years. But this one could be extraordinary.
Some are calling it a “Super” or “Godzilla” El Niño, and the NOAA predicts an 81 percent chance that it could develop to a “very strong” level, rivaling the historic and devastating El Niños of 1982-1983 and 1997-1998. Experts are predicting it will likely reach its peak this winter and into 2027, bringing heat, rainfall, and other potential extreme weather events.
But even with that foresight and climate models that can confidently predict what might be in store, we still face a test of what could potentially be the strongest El Niño ever recorded and the wild weather that comes with it. We spoke with atmospheric scientists and meteorologists to find out how a Super El Niño forms, why it changes global climate, and what we should expect in the coming months.
Sean talks with journalist David Wallace-Wells about a looming climate event that could make 2027 one of the hottest years ever recorded. They discuss the return of El Niño, why some scientists are calling it a “Godzilla El Niño,” and what it could reveal about the future of global warming. They also explore climate adaptation, political complacency, extreme weather, technological progress, and whether humanity is prepared for the world it’s creating.
Dr. Anthony Fauci testified before the Senate in the GOP's hyperpartisan investigation into his "megalomania" and alleged mishandling of Covid, despite the fact that Trump admitted to having “a lot of respect for Dr. Fauci” during the pandemic. Jordan Klepper gets into the hearing’s biggest moments, including Fauci repeatedly invoking the Fifth Amendment, Senator Josh Hawley invoking Fauci’s diary entries, and one Instagram commenter invoking the eggplant emoji.
I'll get back to Brainworm later. Time to return to the hearing and its coverage on Fox News, which is all in on "the Wuhan lab-leak hypothesis." I last discussed that in 2021 and have ignored it since, as I don't want to contribute to the acceptance of what I think is a conspiracy theory. That isn't stopping the Fox News anchors or their guests, particularly ex-coach, current Senator, and likely future Governor Tommy Tuberville, who, if he wants to cite one unofficial idea, might as well cite another, "16 million to 28.1 million with the most likely figure being 21 million, 3.1 times the total of official deaths." It would scare people even more than 9 million and it has better support than the lab-leak hypothesis, which I think is based on xenophobia, partisan wishful thinking, and a questionable intelligence report not supported by scientists. It doesn't help that Fox News undercuts that position by their consistent underplaying of COVID-19. Logic and reason are not their strong suit, but I wrote that the late Jerry Pournelle, himself a conservative, described conservatives as irrational fifteen years ago, so I shouldn't be surprised.
I couldn't agree more that staff cuts at Health and Human Services, the CDC, and NIH are among the reasons the U.S. is "losing a diarrhea war with lettuce." That deserves its own post, but not today. Instead, I'm moving on to Desi Lydic Foxsplains Anthony Fauci's Pandemic Diary | The Daily Show.
Fox News got a hold of Anthony Fauci's Covid-era diary, and Desi Lydic is ready to Foxsplain every evil detail.
HAHAHAHA! All except the lettuce being from Michigan — that hits too close to home, literally.
America might be getting sick of RFK Jr. as health secretary, but much like the worm in his brain, he doesn't appear to be going anywhere. While you won't find his brand of non-professional medical advice on "Grey's Anatomy" or "The Pitt," you can find it on a bold new medical drama: RFK Hospital.
On the one hand, HAHAHAHA! On the other, this is the kind of health care leader Fauci's enemies want to listen to. I'd rather follow Fauci.
Speaking of following, continue over the jump for The Daily Show's Emmy nominations.
Mr. Scorsese and Sean Combs: The Reckoning co-lead with three nominations each, followed by The American Revolution and The Yogurt Shop Murders tied at two and Rafa with one. That's not exactly the order that the prognosticators at Gold Derby handicap this category. The professionals mostly picked Mr. Scorsese to win with 62.5% of experts and 57.1% of editors along with 37.6% of users, while 57.9% of users support The American Revolution with the remaining professionals, 37.5% of experts and 42.9% of editors, agreeing. The rest of the users rank Sean Combs: The Reckoning third with 2.9%, Rafa fourth with 1.3%, and The Yogurt Shop Murders fifth with 0.3%.
This ranking reflects what happened at the Critics Choice Documentary Awards, where Mr. Scorsese beat The American Revolution for Best Limited Documentary Series. Electorates matter, so I think, all things being equal, the Television Academy will vote for a good story about one of their own, and I think all things are equal here.
Follow over the jump for the categories documentaries are competing in that I haven't examined yet, an update on the first post in this series, and a video about Earth Overshoot Day.
‘Down in the Valley’ – sometimes also known as ‘Birmingham Jail’ – is a traditional American folk song that was circulating in earnest in the 1920s. Versions have been recorded by a huge set of music icons, with our favourites including those of Pete Seeger, Tex Ritter, the Blue Ridge Mountain Boys, Solomon Burke, and a Glen Campbell version which encouraged us to include modulations up a perfect fourth cos they’re very uplifting.
The song comes from a deep heritage mixing English, Irish, Scottish, Appalachian, and Ozark influences, with its distinctive mournful (perhaps jailhouse) waltz. For our version we’ve stepped away from a love ballad, but there is a lament in the arrangement and it hopefully feels resonant of US pioneer history. It contemplates how some of the more progressive ideas that were kindled by early generations of Silicon Valley entrepreneurs have been flamboyantly cast aside by the latest cohort, as they move aggressively to embrace a different set of values – scrabbling for an ever-more concentrated and destructive matrix of resources and power, while backfilling flimsy self-oriented rationales. Not that US tech or Silicon Valley didn’t always have its fair share of corporate greed, competition, and self-promotion, but there was often at least a veneer of social conscience, environmental mindfulness, techno-altruism, and a kind of confidence and coolness that the current crop of tech bros have lost, as they suck at whatever teat will fit with their fantasies of deregulation, accumulation, and self-glorification.
The lyrics referencing The Lord of the Rings remind me of Vox asking 'What would J.R.R. Tolkien think of Palantir?' "[C]yberpunk villain ideas straight out of SnowCrash" and "bad readings of classic fantasy." Also, William Shockley serves as a cautionary tale that Silicon Valley has seen brilliant people go bad in similar ways before.
As for the techbros resembling Bond villains, I've said that before, writing "Musk thinks he's Tony Stark (the "real-life Iron Man"), but he's really a Bond villain, specifically a cooler version of Hugo Drax." I also reacted to a video that is no longer available by referring to a parody of a 007 villain.
Ready to protect nature’s top jungle predators? On this episode of National Day Spotlight (https://nationaldaycalendar.com/), Marlo Anderson (https://marloanderson.com/) and co-host Alice Anderson are looking to conservation efforts for International Tiger Day... They’ll focus on vanishing wild habitats and the global efforts underway to ensure a safe future for these animals of majestic stripes. Tune in for an inspiring look at wilderness protection!
I'm not done with environmental holidays, as tomorrow is Earth Overshoot Day for 2026. I'll mention it, but I think it will play second fiddle to the Emmy Awards. Americans are quite clear about our screwed-up priorities, and I'm an American. Stay tuned.
I'm returning to coverage of the Emmy Awards today after taking a break from entertainment in general and awards shows in particular yesterday. I can't be all DOOM or all fun all the time. Since today is World Conservation Day, I'm examining the categories with nature documentaries, beginning with Outstanding Documentary or Nonfiction Special.
Outstanding Documentary or Nonfiction Special
John Candy: I Like Me (Prime Video)
Marty, Life Is Short (Netflix)
Mel Brooks: The 99 Year Old Man! (HBO)
My Mom Jayne: A Film by Mariska Hargitay (HBO)
Ocean with David Attenborough (Nat Geo)
Mel Brooks: The 99 Year Old Man! and Ocean with David Attenborough co-lead with six nominations each, followed by John Candy: I Like Me with five nominations and Marty, Life Is Short tied with My Mom Jayne: A Film by Mariska Hargitay at three. Normally, I'd consider Mel Brooks: The 99 Year Old Man! and Ocean with David Attenborough to be co-favorites, but the experts, editors, and users at Gold Derby disagree. They think John Candy: I Like Me and My Mom Jayne: A Film by Mariska Hargitay to be the favorites, with 50.0% of experts, 28.6% of editors, and 61.0% of users picking the former, while 50.0% of experts, 57.1% of editors, and 26.3% of users choosing the latter. Normally, I'd favor the editors over the experts except one of the experts picking John Candy: I Like Me is Joyce Eng, whose opinion I trust. The remaining editor(s), 14.3%, are currently voting for Ocean with David Attenborough along with 3.5% of users. The rest of the users are split between Marty, Life Is Short with 6.2% and Mel Brooks: The 99 Year Old Man! with 3.0%. I've often written that, all things being equal,the Emmy electorate will vote for a good story about themselves. The corollary is that they will vote for a nominee about a dead celebrity over a living one. The prognosticators at Gold Derby seem to agree. Again, electorates matter.
That was the program category with one nature documentary nominee. Now for a performer category with three out of the five nominees in nature documentaries.
Outstanding Narrator
Sir David Attenborough – A Gorilla Story: Told by David Attenborough (Netflix)
Sir David Attenborough – Ocean with David Attenborough (Nat Geo)
Jodie Foster – Breakdown: 1975 (Netflix)
Werner Herzog – Ghost Elephants (Nat Geo)
Octavia Spencer – Lost Women of Alaska: "The Missing" (Investigation Discovery)
The experts, editors, and users disagree about the odds in this category, too, with 87.5% of experts and 83.0% of users but only 28.6% of editors electing for Sir David in Ocean with David Attenborough, 42.9% of editors along with 12.5% of experts and 9.4% of users choosing Octavia Spencer, and the remaining 28.6% of editors along with 2.9% of users on board with Warner Herzog. The remaining users split between Jodie Foster at 2.6% and Sir David's other nomination at 2.1%. Let's see who switches first, the experts or the editors.
That's a wrap for today. I plan on resuming Emmy coverage Thursday. In the meantime, I have a song by the Marsh Family planned for tomorrow. Stay tuned!
Previous posts about the 2026 Primetime and Creative Arts Emmy Awards
Usually, I blog about entertainment to take a break from serious subjects. I can't be all DOOM all the time. Today, I'm taking a break from awards shows to share SciShow and Hank Green telling the tale of The Time England Ran Out of Bones.
Britain's population exploded during the Industrial Revolution. To sustain that growth, they needed a lot of food and, therefore, a lot of fertilizer. Their ports were clogged with boatloads of imported poop and bones from all over the world, until they discovered a rock that was the best fertilizer of all. Ever since, our entire global food system has precariously teetered on access to a precious fossil resource: phosphorus.
A fact I repeat to my environmental science students is that synthetic fertilizers are responsible for growing enough crops to feed at least one billion people and are the number one reason for increased crop production. It turns out I may have been understating their importance...fertilizers have helped feed billions. The BBC went farther, quoting Svein Tore Holsether, head of fertilizer company Yara, reporting that "He pointed out that half of the world's food production is dependent on fertiliser." That was in the context of the Russian invasion of Ukraine, about which Holsether told the BBC "Putin has weaponised energy and they're weaponising food as well." Yikes! That's a topic that deserves its own post.
This isn't that post. Darn.
SciShow did make up for a deficit I noticed three years ago.
SciShow didn't even mention the effects of excess fertilizer washing into the environment and causing eutrophication. That's a word I've never used on this blog before, which means I need to write a post about that, too.
Hank and SciShow at least included this effect as an result of (over)fertilizing crops. Count this as a down payment on that promise.
Hank pointed out that the current major sources of phosphorus are nonrenewable and will run out. That's something I've told my students, but it's not going to be fixed until we approach the production peak, much like petroleum. That might happen as soon as the middle of this century. I might not see that happen, but my students will, so they're the ones who will have to deal with it. In the meantime, they can watch this video and turn in a summary for extra credit. Welcome to blogging as professional development.
New creatures. New era. Experience the Ice Age like never before. Prehistoric Planet: Ice Age is now streaming on Apple TV https://apple.co/_PrehistoricPlanet
“Prehistoric Planet: Ice Age” is a sweeping new installment of the award-winning natural history series from executive producers Jon Favreau and Mike Gunton, produced by BBC Studios Natural History Unit (“Planet Earth”), and narrated by Golden Globe Award and Olivier Award winner Tom Hiddleston (“Earthsounds”), with an original score by Hans Zimmer, Anže Rozman and Kara Talve from Bleeding Fingers Music. The five-part docuseries, set to premiere globally on November 26, 2025, invites viewers into a dramatic new era of prehistoric life, millions of years after the extinction of the dinosaurs — an era shaped by ice, the intense fight to survive and the rise of a new cast of giants: the iconic megafauna.
“Prehistoric Planet: Ice Age” uses the latest scientific research and cutting-edge visual effects to bring this frozen world to life like never before, unveiling the spectacular habitats and inhabitants of ancient Earth for a one-of-a-kind experience. From towering woolly mammoths to elusive snow sloths, terrifying saber-toothed tigers to resilient dwarf elephants (only 3 feet tall), the series reveals the epic struggles and unexpected stories of animals that once ruled the Ice Age. Viewers will journey through vast tundras, barren deserts, expanding grasslands and melting permafrost as these creatures battle for survival in the face of extreme climates, shifting landscapes and the onset of “The Big Freeze,” and ultimately, “The Big Melt.”
The series is produced by the world-renowned team at BBC Studios Natural History Unit with support from the photorealistic visual effects of Framestore (“Gravity,” “The Golden Compass”). Theme by Hans Zimmer, with an original score by Zimmer, Anže Rozman and Kara Talve for Bleeding Fingers Music.
“Prehistoric Planet: Ice Age” continues the storytelling journey of the acclaimed Apple TV natural history series “Prehistoric Planet,” which transported viewers 66 million years into the past to witness the age of dinosaurs across two seasons. Blending cinematic storytelling with photorealistic visual effects, the series brings ancient worlds to life, offering a firsthand look at some of the most extraordinary creatures ever to walk the Earth. The complete first two seasons of “Prehistoric Planet” are available to stream now on Apple TV.
Explore the award-winning VFX behind Prehistoric Planet: Ice Age, the critically acclaimed third season of the docuseries executive produced by Jon Favreau and Mike Gunton and produced by the BBC Studios Natural History Unit.
Our global teams were tasked with developing the VFX and animation for over 40 scientifically accurate creatures, many never-before-seen on screen. From sabre-toothed cats to rhino-sized wombats, tiny island elephants, and the largest ape to ever live, the core creative challenge was ensuring these animals felt as real, grounded, and emotionally compelling as subjects in a modern wildlife documentary.
Prehistoric Planet: Ice Age earned our global team Best FX at the Annie Awards alongside double honours at the VES Awards for Outstanding Visual Effects and Outstanding Effects Simulation.
This video worked for its awards campaign; it got nominated.
I'm concluding my series examining the nominees at the Critics Choice Super Awards with the action television shows. Here are the nominated action programs from the press release.
BEST ACTION SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE
9-1-1: Nashville
Boston Blue
Dark Winds
High Potential
Hijack
The Lowdown
Task
Tracker
Boston Blue, Dark Winds, High Potential, Hijack, The Lowdown, and Task each have two nominations while 9-1-1: Nashville and Tracker both have one. Despite my using High Potential in the preview image, because it's the only nominee in this category running a campaign on Twitter, I think this will go to Task, the only nominee here with current Emmy nominations, six to be exact. As I wrote yesterday, "The critics are not the Hollywood creatives, but both still embody elite entertainment opinion, so they are likely to agree on Widow's Bay. As I usually write about awards shows but haven't written before in this series, electorates matter."
As I promised yesterday, I'm continuing my series on the Critics Choice Super Awards with the horror nominees. Here they are from the press release.
BEST HORROR SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE
The Beauty
The Boroughs
Devil in Disguise: John Wayne Gacy
Dexter: Resurrection
Ghosts
IT: Welcome to Derry
Wednesday
Widow’s Bay
Dexter: Resurrection and Widow's Bay lead this field with three nominations each, The Boroughs, Devil in Disguise: John Wayne Gacy, IT: Welcome to Derry, and Wednesday follow tied at two, and The Beauty and Ghosts each have just this one. On that basis alone, Dexter: Resurrection and Widow's Bay are the favorites, which I'm resolving in favor of Widow's Bay, which I voted for in the 2026 Fangoria Chainsaw Awards. It also has 19 nominations at the Emmy Awards while Wednesday has six, It: Welcome to Derry two, and the rest none. The critics are not the Hollywood creatives, but both still embody elite entertainment opinion, so they are likely to agree on Widow's Bay. As I usually write about awards shows but haven't written before in this series, electorates matter.
